Tess has been a
fan of historical fiction since learning the Greek and Roman myths at her
mother's knee. Now let loose on a computer, she's spinning her own tales of
romance and passion in a slightly more modern setting. Her work in the
performing arts has led to a passion for the theatre and dance in all its
forms, and been the inspiration for her current books. Tess lives on the east
coast, with her partner of fifteen years and two cats who should have been
named 'Writer's Block' and 'Get Off the Keyboard, Dammit.'
1.What
is your story's heat level? How do you approach the sex scenes?
Rite
of Summer is red hot. The book opens partway through an
explicit M/M sex scene, and I managed to work ‘prick’ into the first sentence.
I’m probably a little bit prouder of that than I should be.
Sex scenes, for me, are a vital part of a
relationship story. The way characters approach each other, the experiences and
baggage and desires coming in with each person in the scene make a huge
difference to the way the acts unfold. Done right, a sex scene can be
incredibly revealing of character, because it is this gorgeous moment where a
person teeters on the edge of naked vulnerability.
So when it comes to writing approach, I come at
them like I do for pretty much anything else. I have notes on what needs to be
accomplished in order to move the characters through the scene, both physically
and emotionally. Who is open, who is scared? Is someone lying, pretending to be
something they’re not, or are the masks about to come off? How is that going to
affect their reactions, their desires, and what they need out of each
particular encounter?
The worst part is trying to keep track of where
everyone’s hands are and what they’re doing, especially in ménage scenes.
Pronouns are a mess when you have three men in a bed together and you’re trying
to keep all the limbs accounted for.
2.How do you maintain activity as a
writer when sitting at a desk all day?
I’m a huge fan of yoga, especially now that there
are so many videos up for free on youtube. I try and do a class a day (emphasis
on the ‘try’, I promise you), and it’s so easy to roll off my chair, call up a 15-minute
video and go. It gets the blood flowing, even if you just take a five-minute
break every so often to breathe deeply and roll out your shoulders, and you can
wobble and fall over as much as you need to because you’re in the privacy of your
own home.
(This all sounds good, but it would be much less
impressive if you knew that I actually do a lot of the slow stretching classes
rather than the whole-body-hot-yoga-headstand-whatsits. I’m not that bendy.)
It’s the social contact that’s my biggest problem
with working from home; the isolation from other human beings gets old after a
few days of hibernation. That’s when the coffee shop and the day job become so
helpful.
3.
What is it that you loved about the main characters in your story?
That they’re able to be emotional, and in some
cases, show some vulnerability. We’ve developed this toxic view of masculinity
over the past 150 years or so that really requires men to be these stoic walls
of strength; that can be so damaging! It’s just as bad as the notion that all
women are balls of nerves who cry at the drop of a hat. Real people are so much
more complex and varied than that, and not that long ago, men were still
encouraged to show it.
If you read some of the personal letters that have
been preserved from the eighteenth and nineteenth centuries, you can really
feel the depth of passion and incredible emotion that these men lived with and
accepted as natural. I loved being able to bring some of that historical
understanding of masculinity into my boys’ inner lives.
Even within that, of course, they’re all varied in
their responses. Joshua’s an introvert and he keeps a lot of things bubbling
low beneath the surface, while Stephen is more likely to let it all bleed out.
His problem is that he’s too emotional, without enough of a handle on how to
control them, rather than letting them control him.
And Evander… he’s a hedonist, but even he has his
wounds and scars that surface from time to time. He’s entertaining to write,
even if I wouldn’t necessarily want to hang out with him in real life.
4.What do you feel is your strongest
type of writing? Humor? Angst? Confrontation scenes? Action? Sex? Sensuality?
Sweet Romance? And why?
A beta reader and close friend of mine described my
usual best trope as ‘everyone’s smart but no-one has their shit together,’
which sounds about right. I don’t enjoy
writing confrontation and angst, for the most part—I keep wanting to bang the
characters’ heads together to make them get over themselves and get back to the
fluff! –but when I do, those elements seem to be pretty effective.
I find action scenes the easiest to write. They pop
into my head almost cinematically, and the words jump from my fingers to the
keyboard. Whether that makes them my biggest strength, I’m not sure! Reviews
I’ve had on previous works have mentioned my pacing as a plus, along with the
way I break angst-tension with humor, so I think I’ll let my readers speak for
me there. I certainly trust their judgment on that one better than my own!
5.
Are you social media savvy? If so what do you suggest for others? If not, why
not?
I don’t think of myself as particularly social media
savvy. I use Twitter, I have a sadly neglected blog, and I spend way too much of my online time on
Tumblr, but I’m not very good at tapping into zeitgeists or memes, or
accumulating follower numbers. I tend to find people who are interesting to
chat with, and get derailed off of the supposed goal of self-promotion. So on
the one hand, I have made some amazing friends who I hope will be friends of
mine for years to come. On the other hand, I have no idea how many of them are
going to be interested in buying my books!
I’m not generally the best person to follow for
advice on this sort of thing. I keep reading these lists of how to improve your
SEO, and how to promote yourself on Goodreads without looking like you’re
self-promoting and so forth… and as far as I can tell, that does work well for
some authors. But then I end up
getting sidetracked by a discussion of Chris Evans’ shoulder-to-waist ratio, or
whether aliens would have a concept of capitalism, and all my career-oriented
intentions go out the window.
All that to say, social media can work incredibly
well, for those who have the tenacity and the skill to use it. I don’t think I
can promote any one network over another, since the landscape and target
markets are always shifting. I do know
that a huge number of romance writers and editors hang out on Twitter, so
that’s probably a good place to start. Readers should follow me there or on
Tumblr, and we can chat about Victorian era nipple piercings, or whether
Captain America could beat Batman in the Hunger Games.
(Honestly, it’s a miracle I ever finish a
manuscript.)
6.
What are some things from your life or things you have observed that you've
infused into your stories?
One of my secondary characters, Lady Horlock, was
originally based on a member of my thesis committee. (She changed somewhat as I
revised my drafts. She’s more of a senior Jamie Lee Curtis in my head now.) Is
that the sort of thing you mean?
On a less specific note, I suppose my own age and orientation.
Being LBGT and growing up in the 80s and 90s was a very different universe;
things certainly weren’t as accepting as they are now. And that’s saying quite
a lot, considering how many problems we still have to fight. I came of age in
the middle of the AIDS epidemic, when friends were dying, no-one in the queer
community had any kind of legal protections, and sex education was essentially
‘if you have sex, you will die.’
There’s a kind of fear that comes with that, along
with the pressures to stay in the closet, that also generates a kind of
desperation and a need to cling to happiness whenever you can find it.
I think that has some resonance with the time
period and relationships I choose to write about. The stakes are incredibly
high, and emotions run high in response. It’s that sex/risk/passion/seize the
moment sort of thing that I find so compelling.
7.
If you had an unlimited budget, where would you like to visit for story-related
research?
Northern Italy, hands down. The Lombard League (13th
century) is the setting for a manuscript that I’ve been poking at on and off,
and I would love to get a real feel for the region; what the air smells like,
what the land looks like, and all those things that make a scene really come to
life. Not to mention being able to get my hands on some of the archival
materials from the right era and region!
It took me something like five months of emails
back and forth with the Vatican library and various city archives in Italy
until I finally managed to get my hands on a single charter that I needed for
that book; imagine how much more I could find if I could get there in person!
There’s so much in little regional museums and archives that haven’t yet been
scanned or documented, and knowing that the information is out there and I don’t have it yet is killing me
slowly.
8.
Any fun facts about the research for your book?
Joshua, one of my heroes, has the piercing that we
call a Prince Albert today – sometimes called a ‘dressing ring’. (A male
genital piercing that goes in through the urethra and out just behind the
glans.) I’d come across a handful of oblique references to erotic piercings in
the Victorian era, and some speculation about the Georgian, so I threw it in
there as a fun character item for a man who presents at first as very
straight-laced and maybe even a little prim. My editor asked me whether it was
an anachronism or not, and that sent me right down the rabbit hole!
It turns out that Prince Albert himself probably
didn’t have any kind of genital piercings; that apocryphal story was most
likely created out of whole cloth by Doug Malloy, one of the founders of modern
body piercing. He went through a lot of what have now become the standard
modern body piercings and gave them names and backstories that would make them
seem more legitimately rooted in older traditions. He was involved with Jim
Ward in the creation of Gauntlet, the
world’s first body piercing studio, back in the 1970s.
When I found that, of course, I started digging and
came across references to Victorian women with nipple piercings. Now the
Victorians had an amazing interest in kink, as we can see from some of the
surviving erotica from the era (the magazine The Pearl has been fully digitized
and is available online, for the curious, but there is a lot of heavy bondage
and rape fantasy in there. So be warned!). Whether the nipple rings were
fantasy or something that was actually performed is less certain, but they
certainly enjoyed the thought.
I ended up tracing all kinds of Victorian and
Georgian kink from there, including letters between lovers discussing the
various merits of anal sex with or without lube (or as Dr. Rictor Norton puts
it, “spit and persistence”), through to antique pop-up wooden dildos. I ended
up tracing nipple piercings and penis piercings through the Royal Navy and then
to the East India Company, and contact with India, Borneo and the Phillippines.
My google and google-scholar search histories were kind of amazing for a while.
And Joshua got to keep his ring.
9.
Finally, tell us a little about your newest release!
I have to be self-indulgent here and give you the
formal rundown. It helps if you think of it in the movie announcer voice.
The year is 1810.
Rising stars Stephen Ashbrook (violinist, incurable romantic) and Evander Cade
(composer, lothario, social climber) have been invited to a house party in the
English countryside. What the other guests don’t know is that Ashbrook and Cade
are lovers, and that their passions extend to including others in their erotic
games. Joshua Beaufort (painter, introvert) lusts after Ashbrook; when invited
to bed, he cannot resist. Once he has a taste, he can only crave more.
Secrets like
theirs can’t be kept for long in such close quarters, however, and the threat
of exposure and rising tensions in London may threaten everything they once
held dear.
I loved working with characters who aren’t your
usual Dukes and Marquesses. The artistic community in 19th century England
was an incredibly vibrant and diverse group of creatives, many of them based in
and around Chelsea. They had this fantastic access to the homes of the wealthy
and powerful, without actually being among that upper level of society, and that
lends itself to amazing opportunities for intrigue and tension.
Rite
of Summer is both my newest release and my first with
Samhain, so it’s been an incredibly exciting journey all around!
Come by www.tessbowery.com
on June 2nd, 7 pm Eastern
Time, to join me in the chatroom for the release party! I’ll have giveaways and
prizes as well as interviews and a social hour. I look forward to seeing
everyone!
Buy Links:
Excerpt:
Joshua lowered himself into the armchair in his room, and
loosened his cravat with a peevish snap.
“That bad, was it?” Sophie asked from the chair opposite,
her legs curled under her. She closed the book in her hands, tucking it into
her lap. It said something that he wasn’t the least bit surprised by her
presence, though by all rights he should have been appropriately scandalized.
He could always tell her to leave, as though that would do any good. The girl
was like a cat; she went where she pleased and did what she liked, and woe
betide anyone but her employer who tried to force her otherwise.
“I had no idea,” Joshua said, checking first to be sure the
door was most securely closed, “that her ladyship had such strong opinions
about the idea of gas lighting.”
“Ooh, yes, did she get on about that again?” Sophie replied
with a pleased grin. “’Those gas lines will be a blight on the city,’” she
imitated bitingly. “’They’re an invitation to treachery and a first stage
toward a new Gunpowder Plot,’ to hear her go on. And did you know,” she asked
rhetorically, the light of mischief in her eyes, “that they’re sinful as well?
Apparently Our Lord and Savior would prefer candlelight.”
“Lord save us from the march of progress,” Joshua sighed,
and rubbed his forehead. Exhaustion nipped around the edges of his eyes, his
shoulders aching. “You were quite right, by the way.” He glanced up at Sophie,
not too tired to add to her amusement. “Lady Chalcroft’s got her eye set on
Coventry for her eldest. The two of them would set on her rivals like a pair of
wild dogs if they thought it would get her a hand-span closer to a coronet.”
Tess will be awarding a $20 Amazon or B/N GC to a randomly drawn winner via rafflecopter during the tour!
a Rafflecopter giveaway
Barnes and
Noble: http://bit.ly/1LThAR3
